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The Representation of the Northern Irish Conflict at the Cinema A study on the Transnational Memory

(2018)

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Abstract
The Northern Irish conflict has been largely represented at the cinema since its outset. This work analyses the possible emergence of a transnational memory through the methodological tools of the universalisation – largely applied to the subject of the Shoah- and myths. The aim of this thesis is to observe possible common images and narratives shared by all analysed movies.

Citations

Genot, J. (2018). The Representation of the Northern Irish Conflict at the Cinema A study on the Transnational Memory.