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The Representation of the Northern Irish Conflict at the Cinema A study on the Transnational Memory

(2018)

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Abstract
The Northern Irish conflict has been largely represented at the cinema since its outset. This work analyses the possible emergence of a transnational memory through the methodological tools of the universalisation – largely applied to the subject of the Shoah- and myths. The aim of this thesis is to observe possible common images and narratives shared by all analysed movies.