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The new Halloween trilogy : reciprocal interactions between politics, society and the newest edition of the horror film franchise
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LisaLejeune_48581800_2023.pdf
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- In today's cinematic landscape, the horror genre emerges as a distinctive canvas reflecting societal fears, aspirations, and values. This thesis delves into the intriguing interplay of politics, society, and horror films, with a focused analysis of the new Halloween trilogy directed by David Gordon Green. This thesis first establish the connections between politics, society, and the horror genre. Then, from the trilogy's pre-production, including the political and societal contexts that have influenced it, to the depiction of violence and the reverberations of feminist perspective, this thesis scrutinizes how the cinematic narrative engages with real-world dilemmas. Additionally, the analysis delves into the enigmatic character of Michael Myers, the embodiment of fear, and the implications of mental health within the intricacies of the storylines and the American viewpoint on this matter and on rehabilitation. By immersing ourselves in the cinematic experience and investigating into the trilogy's layered narrative, we not only uncover the dynamic evolution of the Halloween franchise, but also a reflection of the profound interplay between art, society, and politics. As the chapters unfold, a compelling exploration of these elements takes shape, offering a comprehensive understanding of how horror cinema serves as a captivating medium for contemplating the intricate fabric of contemporary existence.